"3 Romanzen, Op. 28: No. 3 in B Major (Sehr markiert)" by Robert Schumann, Maria João Pires was released on January 1, 1994. Since 3 Romanzen, Op. 28: No. 3 in B Major (Sehr markiert) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Schumann: Piano Pieces". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. In terms of popularity, 3 Romanzen, Op. 28: No. 3 in B Major (Sehr markiert) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Romanzen, Op. 28: No. 3 in B Major (Sehr markiert) by Robert Schumann, Maria João Pires having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Waldszenen, Op. 82: No. 2 Jäger auf der Lauer | Robert Schumann, Maria João Pires | G Minor | 2 | 6A | 174 BPM | ||
Sonatine bureaucratique: 3. Vivache | Erik Satie, Jean-Yves Thibaudet | A Major | 1 | 11B | 78 BPM | ||
24 Preludes, Op. 34: No. 18 in F Minor. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 2 in B Major, Idyll. Moderato ma non troppo | Bedřich Smetana, Jitka Čechová | B Major | 1 | 1B | 94 BPM | ||
21 Hungarian Dances, WoO 1: No. 21 in E Minor: Vivace (Arr. for Piano Duet) | Johannes Brahms, Katia Labèque, Marielle Labèque | F♯ Minor | 0 | 11A | 74 BPM | ||
Sonatina in C Major, Op. 36 No. 1: III. Vivace | Muzio Clementi, Howard Shelley | C Major | 1 | 8B | 149 BPM | ||
Saint-Saëns: Mazurka No. 3 in B Minor, Op. 66 | Camille Saint-Saëns, Bertrand Chamayou | A Major | 2 | 11B | 79 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM |