Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti's 'Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo' came out on 1982. The duration of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 19 out of 35. In terms of popularity, Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Ballo by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.