"Huit Chansons de Fleurs: No. 3, The Tulips" by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore was released on April 19, 2024. With this song being about 5 minutes long, at 5:03, "Huit Chansons de Fleurs: No. 3, The Tulips" by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rose in Bloom". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Huit Chansons de Fleurs: No. 3, The Tulips is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Huit Chansons de Fleurs: No. 3, The Tulips by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappahannock County, Pt. 5: Finale. April Will Return Again (Live) | Ricky Ian Gordon, Mark Walters, Faith Sherman, Matthew Tuell, Kevin Moreno, Aundi Marie Moore, Virginia Arts Festival Orchestra, Rob Fisher | G Major | 2 | 9B | 91 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Come away, death, Op. 6 No. 1 | Roger Quilter, Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 109 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
"When maiden loves" | Arthur Sullivan, Ann Hood, Royal Philharmonic Orchestra, Sir Malcolm Sargent | D♭ Major | 1 | 3B | 82 BPM | ||
I Wish I Could Forget You | Geraldine Turner | B Minor | 1 | 10A | 151 BPM | ||
The Little Horses (Lullaby) | Aaron Copland, Bruce Hubbard, Orchestra of St. Luke's, Saint Luke's Chamber Ensemble, Dennis Russell Davies | B Major | 0 | 1B | 76 BPM | ||
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM |