"The Holiday Orchestra Suite - Live" by Hans Zimmer, Eliane Correa, Amir-John Haddad, Lucy Landymore, Vienna Radio Symphony Orchestra, Martin Gellner was released on March 15, 2019. Since The Holiday Orchestra Suite - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The World of Hans Zimmer - A Symphonic Celebration (Live)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Holiday Orchestra Suite - Live's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Holiday Orchestra Suite - Live by Hans Zimmer, Eliane Correa, Amir-John Haddad, Lucy Landymore, Vienna Radio Symphony Orchestra, Martin Gellner having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now We Are Free | Lisa Gerrard, Klaus Badelt, Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra | A Major | 2 | 11B | 138 BPM | ||
First Memory | Marco Beltrami | B♭ Major | 1 | 6B | 146 BPM | ||
The Adventure of Life | Maurizio Malagnini, Peter Salem | G Major | 3 | 9B | 83 BPM | ||
Patch Adams | Hollywood Symphony Orchestra | A Major | 1 | 11B | 136 BPM | ||
Egmont, Op. 84: Freudvoll und leidvoll (Blissful and Tearful) (Clara) | Ludwig van Beethoven, Maria Bengtsson, Tobias Moretti, Vienna Radio Symphony Orchestra, Bertrand de Billy | G Minor | 0 | 6A | 131 BPM | ||
Iberia Images for Orchestra, No. 2: Le matin d'un jour de fête | Claude Debussy, Milan Horvat, Vienna Radio Symphony Orchestra | F Minor | 1 | 4A | 133 BPM | ||
The Grand Bakery | Guy Farley | A Minor | 3 | 8A | 172 BPM | ||
Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
Thank You | Kris Bowers | D Major | 0 | 10B | 167 BPM | ||
Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic | B♭ Major | 1 | 6B | 78 BPM |