"4 Impromptus, Op. 90, D. 899 (Arr. I. Jones): No. 3 in G-Flat Major" by Franz Schubert, Ieuan Jones was released on April 1, 2016. With this song being about 5 minutes long, at 5:20, "4 Impromptus, Op. 90, D. 899 (Arr. I. Jones): No. 3 in G-Flat Major" by Franz Schubert, Ieuan Jones is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Schubert Arranged for Harp". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 4 Impromptus, Op. 90, D. 899 (Arr. I. Jones): No. 3 in G-Flat Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Impromptus, Op. 90, D. 899 (Arr. I. Jones): No. 3 in G-Flat Major by Franz Schubert, Ieuan Jones having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor (Arr. for Guitar & Cello) | Tomaso Albinoni, Irina Kulikova, Feliks Volozhanin | A Minor | 0 | 8A | 101 BPM | ||
Prélude in C | Jean-Henri d'Anglebert, Andrew Lawrence-King | C Major | 0 | 8B | 71 BPM | ||
Estudio in B Minor, Op. 35, No. 22 | Hasan Çakırsoy | B Minor | 2 | 10A | 103 BPM | ||
Estudo em Mi Maior | Jean Charnaux | D♭ Major | 3 | 3B | 132 BPM | ||
Cantigas de Santiago: No. 3, Como póden per sas culpas | Stephen Goss, David Russell | A Minor | 2 | 8A | 146 BPM | ||
I Tema de juventud (de Suite de Valencia) | Antonio Chover Salom, Carlos Blanco Ruiz | D Major | 2 | 10B | 94 BPM | ||
Allegretto in C Minor, D. 915 (Arr. I. Jones) | Franz Schubert, Ieuan Jones | A♭ Major | 0 | 4B | 109 BPM | ||
Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
In the Forest of Charm and Enchantment | Anne-Marguerite Michaud | E♭ Major | 1 | 5B | 119 BPM | ||
Liebestraume No. 3 | Ieuan Jones | A♭ Major | 0 | 4B | 71 BPM |