"Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (d) Variation III" by Wolfgang Amadeus Mozart, YUNDI was released on April 5, 2024. With Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (d) Variation III being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, YUNDI's "Mozart: The Sonata Project - Salzburg" album is number 4 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (d) Variation III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (d) Variation III by Wolfgang Amadeus Mozart, YUNDI to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Albert Punozi | Albert Punozi | C Minor | 2 | 5A | 153 BPM | ||
30 Piano études, Op. 26: No. 5 in E Minor, Vivace | Louise Farrenc, Maria Stratigou | E Major | 2 | 12B | 66 BPM | ||
Allegretto Scherzando | Jordan Zhu | B♭ Major | 3 | 6B | 134 BPM | ||
Simfonía concertant per a violí, viola i orquestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Orquestra De Cadaqués, Ludwig Mülller, Sir Neville Marriner, Caroline Harrison | C Minor | 0 | 5A | 88 BPM | ||
12 Études, Op. 25: No. 4 in A Minor "Paganini" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Mozart: Piano Sonata No. 11 in A Major, K. 331 "Alla turca": I. (c) Variation II | Wolfgang Amadeus Mozart, YUNDI | B♭ Major | 0 | 6B | 79 BPM | ||
25の練習曲作品100 第6曲 進歩 | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM | ||
Intimate Sketches: No. 6, So You Can Never Return | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 74 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM |