Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer's ' "Hempfling - Marsch, op.277" was released on its scheduled release date, March 16, 2017. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Hempfling - Marsch, op.277's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Alt Wien Ziehrer Edition Vol.24 by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Ekaterina Michailova, Christian Drescher. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Hempfling - Marsch, op.277 is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hempfling - Marsch, op.277 by Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | E♭ Major | 2 | 5B | 111 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Auf! In's XX. Jahrhundert, Op. 501: Auf In's XX.Jahrhundert, Marsch, Op. 501 | Carl Michael Ziehrer, Razumovsky Symphony Orchestra, Christian Pollack | G Major | 2 | 9B | 104 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 9, Wedding March | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | C Major | 2 | 8B | 67 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Hostblomsten (Harvest Flower), Polka, Op. 208 | Hans Christian Lumbye, Tivoli Symphony Orchestra, Tamas Veto | F Major | 1 | 7B | 75 BPM | ||
Quecksilber (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 3 | 8B | 73 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM |