Polovtsian Dances from Prince Igor: IV. Allegro

Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim
Borodin: Polovtsian Dances; Rimsky-Korsakov: Russian Easter Festival, Ouverture; Mussorgsky: A Night on the Bare Mountain; Rimsky-Korsakov: Capriccio Espagnol
2:03 1977日
テンポ
177
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Polovtsian Dances from Prince Igor: IV. Allegro - Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim 情報

音響性
88%
ダンサビリティ
19%
エネルギー
10%
手段性
81%
活気
26%
ラウドネス
66%
話し言葉
4%
価数
19%
人気
ラウドネス
-20.572 dB

まとめ

"Polovtsian Dances from Prince Igor: IV. Allegro" by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim was released on 1977. The duration of Polovtsian Dances from Prince Igor: IV. Allegro is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Polovtsian Dances from Prince Igor: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in Borodin: Polovtsian Dances; Rimsky-Korsakov: Russian Easter Festival, Ouverture; Mussorgsky: A Night on the Bare Mountain; Rimsky-Korsakov: Capriccio Espagnol by Chicago Symphony Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Polovtsian Dances from Prince Igor: IV. Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Polovtsian Dances from Prince Igor: IV. Allegro テンポ

The tempo marking of Polovtsian Dances from Prince Igor: IV. Allegro by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 177 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Polovtsian Dances from Prince Igor: IV. Allegro キー

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Raymonda, Op. 57: Prélude et la Romanesca by Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR SinfonieorchesterRaymonda, Op. 57: Prélude et la RomanescaAlexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR SinfonieorchesterE Minor39A104 BPM
King Arthur, Z. 628, King Arthur, Z. 628, "The British Worthy": AirHenry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica HuggettD♭ Minor012A114 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Waltz No. 10 in B Minor, Op. 69, No. 2 by Frédéric Chopin, Idil BiretWaltz No. 10 in B Minor, Op. 69, No. 2Frédéric Chopin, Idil BiretB Minor010A155 BPM
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 / Act 1: Dance Of The KnightsSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major18B79 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin) by Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxElégie in C Minor, Op. 24 (Arr. Parkin)Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert MaxA♭ Major04B88 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie by Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingSouvenir d'un lieu cher, Op. 42: 3. MélodiePyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel HardingE♭ Major05B99 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliElgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro moltoEdward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliG Major29B87 BPM
At the Homes of Other Folk by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra, Larissa DyadkovaAt the Homes of Other FolkAlexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra, Larissa DyadkovaA Major111B133 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'AlcalaGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
ISRC
DEF057702034
レコードレーベル
L-M Records/RCA Records