EunSook Kye made "時の流れに身をまかせ" available on April 7, 2010. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 魅惑の桂 銀淑ベスト, so we believe that "時の流れに身をまかせ" is a single. Based on our statistics, 時の流れに身をまかせ's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 時の流れに身をまかせ by EunSook Kye is Allegro (fast, quick, and bright), since this song has a tempo of 144 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
岸壁の母 | 二葉百合子 | A Major | 3 | 11B | 138 BPM | ||
ニューヨーク物語り | Yutaka Yamakawa | B♭ Minor | 6 | 3A | 121 BPM | ||
遅すぎた季節 | Billy Ban Ban | F Major | 5 | 7B | 114 BPM | ||
六月の雨 | Kei Ogura | D Minor | 1 | 7A | 74 BPM | ||
恋の十字路 | FeiFei Ou-Yang | D♭ Major | 5 | 3B | 90 BPM | ||
涙そうそう | Ryoko Moriyama | E♭ Major | 2 | 5B | 141 BPM | ||
ひまわり娘 | Sakiko Ito | C Major | 4 | 8B | 189 BPM | ||
愛の迷い子 | Agnes Chan | G Major | 6 | 9B | 104 BPM | ||
時の流れに | Takao Horiuchi | G Major | 5 | 9B | 124 BPM | ||
長崎慕情 | Yuko Nagisa | B Minor | 4 | 10A | 80 BPM |