"Motet 4: Returning, Wander Weary" by Robert Saxton, The Clerks had its release date on October 1, 2009. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Motet 4: Returning, Wander Weary's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 32 in Don't Talk - Just Listen! by The Clerks. Based on our statistics, Motet 4: Returning, Wander Weary's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Motet 4: Returning, Wander Weary by Robert Saxton, The Clerks is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
And on the Sixth Day: III. Morning | Bruce Broughton, Olivier Stankiewicz, London Symphony Orchestra, Jonathan Bloxham | D♭ Minor | 3 | 12A | 140 BPM | ||
Crisis Modes for Percussion and Strings: I. Appeals | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: III. Second Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | D Minor | 0 | 7A | 69 BPM | ||
Suite for Violin & Piano (2019): V. Quest | Robert Saxton, Madeleine Mitchell, Clare Hammond | E Minor | 1 | 9A | 119 BPM | ||
Reisado do pastoreio: III. Batuque | Oscar Lorenzo Fernández, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | F Major | 7 | 7B | 100 BPM |