Friedrich Gulda, Martin David Jones's 'Play Piano Play "10 Pieces for Yuko": No. 2, Alla marcia, risoluto' came out on April 13, 2018. The duration of Play Piano Play "10 Pieces for Yuko": No. 2, Alla marcia, risoluto is about 3 minutes long, at 3:21. Based on our data, "Play Piano Play "10 Pieces for Yuko": No. 2, Alla marcia, risoluto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Friedrich Gulda, Martin David Jones's "Gulda: Piano Works" album is number 3 out of 18. Based on our statistics, Play Piano Play "10 Pieces for Yuko": No. 2, Alla marcia, risoluto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Play Piano Play "10 Pieces for Yuko": No. 2, Alla marcia, risoluto by Friedrich Gulda, Martin David Jones to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Aria - (Solo Version) | Friedrich Gulda | D Major | 1 | 10B | 99 BPM | ||
8 Fantasiestücke, Op. 12: 3. Warum? | Robert Schumann, Friedrich Gulda | D♭ Major | 0 | 3B | 125 BPM | ||
Concerto for Cello & Wind Band: III. Cadenza | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | A Major | 0 | 11B | 164 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
16 German Dances, D. 783: No. 10 in A Minor | Franz Schubert, Piers Lane | D Major | 0 | 10B | 77 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM |