"Puccini: Turandot, Act 1: "Gira la cote!" (Coro)" by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on March 10, 2023. The duration of Puccini: Turandot, Act 1: "Gira la cote!" (Coro) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Puccini: Turandot, Act 1: "Gira la cote!" (Coro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "Puccini: Turandot". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 1: "Gira la cote!" (Coro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Turandot, Act 1: "Gira la cote!" (Coro) by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E♭ Major | 3 | 5B | 115 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Verdi: Otello: Atto Primo: Abbasso le spade! | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 1 | 10B | 88 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
La forza del destino, Act III, Scene III: Pane, pan per carità | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Adriana Lecouvreur / Act 2: Ma, dunque è vero? | Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulio Fioravanti, Franco Ricciardi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | D♭ Major | 3 | 3B | 85 BPM | ||
Il Trovatore / Act 2: "Soli or siamo"..."Condotta ell'era in ceppi" - Live | Giuseppe Verdi, Giulietta Simionato, Franco Corelli, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM |