Luciano Pavarotti, Piero Cappuccilli, Nicola Zaccaria's 'Rigoletto - La Donna È Mobile' came out on January 1, 1991. The duration of Rigoletto - La Donna È Mobile is about 3 minutes long, at 3:05. Based on our data, "Rigoletto - La Donna È Mobile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #11. Rigoletto - La Donna È Mobile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto - La Donna È Mobile by Luciano Pavarotti, Piero Cappuccilli, Nicola Zaccaria having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Il Canto | Romano Musumarra, Luciano Pavarotti, Orchestra di Roma | E Major | 4 | 12B | 126 BPM | ||
Rigoletto: Parmi veder le lagrime | Giuseppe Verdi, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | D♭ Major | 2 | 3B | 77 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Bachianas brasileiras No. 5: Ária (Cantilena) | Heitor Villa-Lobos, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | A Minor | 2 | 8A | 119 BPM | ||
Turandot / Act 3: Nessun dorma! | Luciano Pavarotti, Dolores O'Riordan, Simon Le Bon, Michael Bolton, Orchestra filarmonica di Torino, Marco Armiliato, Bono, The Edge, Brian Eno, Jovanotti, Meat Loaf, Nenad Bach, Zucchero | D Major | 4 | 10B | 85 BPM | ||
The Abduction from the Seraglio, K. 384, Act III: Pasha Selim, live for ever (Chorus) | Wolfgang Amadeus Mozart, Yehudi Menuhin, Bath Festival Orchestra, Ambrosian Singers | C Major | 7 | 8B | 80 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Neapolis | Carlo Mioli, Luciano Pavarotti, Giancarlo Chiaramello, Bulgarian Symphony Orchestra | B♭ Major | 5 | 6B | 136 BPM |