"The Queen Symphony: III: Adagio (Who Wants to Live Forever? - Save Me)" by Tolga Kashif, Royal Philharmonic Orchestra, London Voices, London Oratory Boys' Choir, John Lenehan, Nicola Loud, Francois Rive was released on November 4, 2002. Since The Queen Symphony: III: Adagio (Who Wants to Live Forever? - Save Me) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Queen Symphony". In this album, this song's track order is #3. The Queen Symphony: III: Adagio (Who Wants to Live Forever? - Save Me) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen Symphony: III: Adagio (Who Wants to Live Forever? - Save Me) by Tolga Kashif, Royal Philharmonic Orchestra, London Voices, London Oratory Boys' Choir, John Lenehan, Nicola Loud, Francois Rive having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Miroir des choses | Jérôme Lemonnier | F Major | 2 | 7B | 120 BPM | ||
Who Cares? (after Gershwin): My One and Only | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | A Minor | 3 | 8A | 148 BPM | ||
Ladies In Lavender | Royal Philharmonic Orchestra, Nigel Hess | D Major | 2 | 10B | 91 BPM | ||
Eliza Aria | Elena Kats-Chernin, Tamara Anna Cislowska | F Major | 0 | 7B | 119 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
Sibelius: Karelia Suite, Op. 11: I. Intermezzo | Jean Sibelius, Bournemouth Symphony Orchestra/Paavo Berglund, Paavo Berglund, Bournemouth Symphony Orchestra | A♭ Minor | 0 | 1A | 201 BPM | ||
The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM |