Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus)

Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger
Quintessence J.S. Bach: Matthäus Passion, Johannes Passion
1:08 2019年10月1日
テンポ
68
キー
E Minor
キャメロットミュージックキー
9A

リンクを埋め込む

共有

Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger 情報

音響性
96%
ダンサビリティ
27%
エネルギー
15%
手段性
0%
活気
15%
ラウドネス
68%
話し言葉
4%
価数
9%
人気
ラウドネス
-19.295 dB

まとめ

"Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus)" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) テンポ

With Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 40, Chorale. "Bin ich gleich von dir gewichen" (Chorus) キー

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentBach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentE Major312B97 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : IV. AllegroArcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella IstropolitanaD Major310B129 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846Daniel BarenboimC Major08B95 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I by John Shrapnel, Jeremy Siepmann, Johann Sebastian BachMusic: Prelude In E Flat Minor - The Well-tempered Clavier, Book IJohn Shrapnel, Jeremy Siepmann, Johann Sebastian BachA♭ Minor01A139 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Symphony in F Major, J-C 36: III. Allegro assai by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in F Major, J-C 36: III. Allegro assaiGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonE Major312B126 BPM
The Wounded Heart, Op. 34, No. 1 (From The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")Edvard Grieg, Yo-Yo Ma, Kathryn StottG Major19B81 BPM
ISRC
NLY331502710
レコードレーベル
L-M Records/RCA Records