Johann Sebastian Bach, Glenn Gould made "Goldberg Variations, BWV 988: Var. 15, Canone alla quinta" available on 1962. With this song being about 5 minutes long, at 5:02, "Goldberg Variations, BWV 988: Var. 15, Canone alla quinta" by Johann Sebastian Bach, Glenn Gould is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 120 in the song's album "The Complete Bach Collection Vol. 3 / Glenn Gould". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Goldberg Variations, BWV 988: Var. 15, Canone alla quinta is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Goldberg Variations, BWV 988: Var. 15, Canone alla quinta by Johann Sebastian Bach, Glenn Gould having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatine, M.40 - for Piano: 1. Modéré | Maurice Ravel, Martha Argerich | B Minor | 0 | 10A | 75 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: I. Allegro maestoso | Wolfgang Amadeus Mozart, Glenn Gould | A Minor | 2 | 8A | 169 BPM | ||
Preludes, Op. 28: No. 3 in G Major, Vivace | Frédéric Chopin, Grigory Sokolov | G Major | 0 | 9B | 71 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | ||
Fantasia No. 1 in G Major "Voluntary for My Lady Nevell" | William Byrd, Glenn Gould | G Major | 1 | 9B | 91 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Préludes / Book 1, L. 117: I. Danseuses de Delphes | Claude Debussy, Arturo Benedetti Michelangeli | E Minor | 0 | 9A | 63 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM |