"Aux Confins de l'orage: II. Sylphes rouges" by Camille Pépin, Orchestre National De Lyon, Ben Glassberg was released on April 14, 2023. With this song being about 5 minutes long, at 4:51, "Aux Confins de l'orage: II. Sylphes rouges" by Camille Pépin, Orchestre National De Lyon, Ben Glassberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Camille Pépin, Orchestre National De Lyon, Ben Glassberg's "Les Eaux célestes" album is number 2 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Aux Confins de l'orage: II. Sylphes rouges is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aux Confins de l'orage: II. Sylphes rouges by Camille Pépin, Orchestre National De Lyon, Ben Glassberg to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in C Minor, Op. 43: II. Moderato | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | D Minor | 1 | 7A | 137 BPM | ||
Weaving | Roger Eno | B Minor | 1 | 10A | 129 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Bending the bars | Upside Down Upright Bass | A Minor | 0 | 8A | 130 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
China Gates | John Adams, Ralph van Raat | B Major | 1 | 1B | 145 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Strum | Jessie Montgomery, Catalyst Quartet | A Minor | 2 | 8A | 158 BPM | ||
Les Eaux célestes: III. Les Larmes perlées | Camille Pépin, Orchestre National De Lyon, Ben Glassberg | F♯ Minor | 0 | 11A | 69 BPM | ||
Concerto For Violoncello And Strings: I. (Turbulent, Tense) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | E Minor | 4 | 9A | 89 BPM |