Isaac Albéniz, Pepe Romero made "Rumores de la caleta, Op.71, No.6 - transcr. Pepe Romero" available on January 1, 1992. The duration of Rumores de la caleta, Op.71, No.6 - transcr. Pepe Romero is about 3 minutes long, at 3:27. Based on our data, "Rumores de la caleta, Op.71, No.6 - transcr. Pepe Romero" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 14 in Albéniz / Granados / Romero / Sor: Guitar Solos by Pepe Romero, Celin Romero. In terms of popularity, Rumores de la caleta, Op.71, No.6 - transcr. Pepe Romero is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Rumores de la caleta, Op.71, No.6 - transcr. Pepe Romero by Isaac Albéniz, Pepe Romero is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso | Niccolò Paganini, Scott St. John, Simon Wynberg | D Major | 1 | 10B | 86 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Asturias | Isaac Albéniz, Heike Matthiesen | G Major | 1 | 9B | 104 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Pavane, Op. 50 (Arr. J. Williams for Guitar & Orchestra) | Gabriel Fauré, John C. Williams, William Goodchild, BBC Concert Orchestra | F♯ Minor | 1 | 11A | 144 BPM | ||
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM |