The Bridgettes made "By the Time I Get to Phoenix" available on February 1, 2013. The duration of By the Time I Get to Phoenix is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. By the Time I Get to Phoenix's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Bridgettes's "Greatest 60's Love Songs" album is number 13 out of 35. On top of that, Canada appears to be the country where this track was created. In terms of popularity, By the Time I Get to Phoenix is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of By the Time I Get to Phoenix by The Bridgettes to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM | ||
It's a Dream Come True | Isla Grant | D Major | 5 | 10B | 177 BPM | ||
Gotta' Quit Lookin' at You Baby | Dave and Sugar | F Major | 7 | 7B | 99 BPM | ||
You Can't Take Back a Teardrop | Connie Smith | C Major | 7 | 8B | 141 BPM | ||
Wrong Road Again | Crystal Gayle | A♭ Major | 3 | 4B | 90 BPM | ||
Sunday Morning Coming Down | Ray Stevens | C Major | 4 | 8B | 82 BPM | ||
I Ain't Crazy | Earl Thomas Conley | E Major | 7 | 12B | 117 BPM | ||
When A Tear Becomes A Rose | Eileen King | F Major | 3 | 7B | 103 BPM | ||
Whose Bed Have your Boots Been Under, Line Dancing | Nashville Line Dance Riders | B♭ Major | 6 | 6B | 135 BPM | ||
Good Old Boys (Rerecorded) | Moe Bandy | B♭ Major | 3 | 6B | 144 BPM |