"Le midi. l'amour épanouï: I. Bonté divine, vien et monstre" by Orlande de Lassus, Capilla Flamenca was released on November 23, 2009. With Le midi. l'amour épanouï: I. Bonté divine, vien et monstre being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Capilla Flamenca's "Lassus: Bonjour mon coeur" album is number 8 out of 27. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Le midi. l'amour épanouï: I. Bonté divine, vien et monstre is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le midi. l'amour épanouï: I. Bonté divine, vien et monstre by Orlande de Lassus, Capilla Flamenca to be Andante (at a walking pace) because the track has a tempo of 96 テンポ, a half-time of 48テンポ, and a double-time of 192 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prophetiae Sibyllarum: IV. Sibylla Cimmeria: In teneris annis, LV 1052 | Orlande de Lassus, La Main Harmonique, Frédéric Betous | C Major | 2 | 8B | 93 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Prophetiae Sibyllarum: No. 7, Sibylla Hellespontica "Dum meditor" | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 2 | 9B | 78 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Psalmus Sextus Poenitentialis: "De profundis clamavi ad te Domine" | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | F Major | 2 | 7B | 67 BPM |