Zi Chen, Wei Qu, Chi Liu, Kema, Yu Xiang, Huan Zhi Li, 張露, Shanghai Philharmonic Orchestra, Peng Cao's ' "The White-Haired Girl Suite: Movement 5 - Escape from Huang's" was released on its scheduled release date, January 1, 2001. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. This song is part of Yan: The White-Haired Girl (Suite) by Wei Qu, Peng Cao, Shanghai Philharmonic Orchestra. The song's track number on the album is #5 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. The White-Haired Girl Suite: Movement 5 - Escape from Huang's is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since The White-Haired Girl Suite: Movement 5 - Escape from Huang's by Zi Chen, Wei Qu, Chi Liu, Kema, Yu Xiang, Huan Zhi Li, 張露, Shanghai Philharmonic Orchestra, Peng Cao has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The White-Haired Girl Suite: Movement 5 - Escape from Huang's being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): II. Girl of the Moment | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 5, Schattenhaft | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | F Major | 0 | 7B | 82 BPM | ||
The Rain of Lights | John Van Geem | D♭ Major | 3 | 3B | 99 BPM | ||
Coppélia: Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 89 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
The Black Pearl - String Orchestra Version | Pirates of the Caribbean | D Minor | 3 | 7A | 81 BPM | ||
Doña Francisquita, Act III: Aurorilla la Beltrana (Sereno, Coro, Aurora, Fernando, Cardona) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Emilio Sanchez, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife, Raquel Pierotti, Alfredo Kraus, Santiago Jerico | E♭ Major | 3 | 5B | 78 BPM |