"Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace" by Joachim Raff, Rhenish Philharmonic Orchestra, Samuel Friedmann was released on July 23, 2002. Since Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Raff: Symphony No. 1, 'To the Fatherland'". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace by Joachim Raff, Rhenish Philharmonic Orchestra, Samuel Friedmann having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, Tonkünstler-Orchester, Yutaka Sado | C Major | 3 | 8B | 104 BPM | ||
Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Volker, Op. 203: Ungarischer (a la Hongroise) [arr. For violin and orchestra] | Joachim Raff, Michaela Paetsch-Neftel, Bamberg Symphony, Hans Stadlmair | A Major | 1 | 11B | 114 BPM | ||
5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Divertissement, Vorstellungen 1803: Introduzione | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Li-wei Qin, Nicholas Braithwaite, Adelaide Symphony Orchestra | D♭ Minor | 1 | 12A | 73 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM |