Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF's 'Ivan IV, WD 12, dritter Akt: Le jeune Bulgare' came out on December 8, 1961. With this song being about 5 minutes long, at 4:40, "Ivan IV, WD 12, dritter Akt: Le jeune Bulgare" by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 20 in Bizet: Ivan IV by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF. Ivan IV, WD 12, dritter Akt: Le jeune Bulgare is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ivan IV, WD 12, dritter Akt: Le jeune Bulgare by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
Satie: Parade: Choral - Prélude du rideau rouge | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | D Minor | 1 | 7A | 105 BPM | ||
Variation 5: Quasi presto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 1 | 8A | 122 BPM | ||
Fantasia and Fugue in C Minor, BWV 537: II. Fugue (Orch. Edward Elgar) | Johann Sebastian Bach, Leonard Slatkin, BBC Philharmonic | E♭ Major | 1 | 5B | 98 BPM | ||
Roussel: Le Festin de l'araignée, Op. 17, L. 19, Pt. 2: XI. Mort de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | G Major | 0 | 9B | 138 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Debussy: La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Jean Martinon & Orchestre National de lO.R.T.F., Jean Martinon, Orchestre National de l'O.R.T.F. | A Major | 4 | 11B | 95 BPM | ||
Poulenc: Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Choeur de l'ORTF, Orchestre National ORTF, Georges Prêtre, Chœurs de la Radiodiffusion française, Orchestre National de l'O.R.T.F. | C Minor | 2 | 5A | 122 BPM | ||
Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM |