"悪魔のトリル (ヴァイオリン・ソナタ ト短調)" by Giuseppe Tartini, Ida Haendel, アルフレード・ホレチェク had its release date on May 18, 2011. This song appears to be safe for all ages as it is not explicit. There is only one song in 極上ヴァイオリン特盛 〜定番クラシック名曲ベスト50, so we believe that "悪魔のトリル (ヴァイオリン・ソナタ ト短調)" is a single. In terms of popularity, 悪魔のトリル (ヴァイオリン・ソナタ ト短調) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 悪魔のトリル (ヴァイオリン・ソナタ ト短調) by Giuseppe Tartini, Ida Haendel, アルフレード・ホレチェク is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Anna Im, Chiao-Ying Chang | A Major | 1 | 11B | 68 BPM | ||
フォーレ:シチリアーノ (チェロ) | モーリス・ジャンドロン, 岩崎淑 | C Major | 1 | 8B | 131 BPM | ||
Divertimento in B-Flat Major, K.287, Lodron Night Music No. 2: IV. Adagio | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | E♭ Major | 1 | 5B | 167 BPM | ||
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Varation 7 | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra | F Major | 1 | 7B | 74 BPM | ||
Mist of Scented Harbor for solo violin: III. Metropolis | Angel Lam, Patrick Yim | G Minor | 2 | 6A | 87 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
ハンガリー狂詩曲 | David Popper, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 3 | 9A | 115 BPM |