"Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt]" by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets was released on April 26, 2024. Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. Since Vasks: Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] by Pēteris Vasks, Sebastian Bohren, Munich Chamber Orchestra, Sergej Bolkhovets has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Vientuļais eņģelis (meditation for violin & string orchestra): I. Adagio [Excerpt] being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction et Allegro, M. 46 | Lavinia Meijer, Amsterdam Sinfonietta | E♭ Minor | 1 | 2A | 78 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): I. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 76 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |