Jean-Philippe Rameau, Aurélia Legay, Mathias Vidal, Purcell Choir, Orfeo Zenekar, Gyorgy Vashegyi made "Les fêtes de Polymnie, Prologue Scene 3: Prologue (Le Temple de Memoire) Scene 3: Que du nom du vainqueur (Mnemosyne, Le Chef des Arts, Chorus)" available on January 27, 2015. With Les fêtes de Polymnie, Prologue Scene 3: Prologue (Le Temple de Memoire) Scene 3: Que du nom du vainqueur (Mnemosyne, Le Chef des Arts, Chorus) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 71 in the song's album "Rameau: Les fêtes de Polymnie". In this album, this song's track order is #14. Les fêtes de Polymnie, Prologue Scene 3: Prologue (Le Temple de Memoire) Scene 3: Que du nom du vainqueur (Mnemosyne, Le Chef des Arts, Chorus) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Les fêtes de Polymnie, Prologue Scene 3: Prologue (Le Temple de Memoire) Scene 3: Que du nom du vainqueur (Mnemosyne, Le Chef des Arts, Chorus) by Jean-Philippe Rameau, Aurélia Legay, Mathias Vidal, Purcell Choir, Orfeo Zenekar, Gyorgy Vashegyi having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM |