"Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro)" by George Frideric Handel, Celia Nicklin, Neil Black, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields was released on January 1, 2002. With Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Academy Chamber Ensemble's "Handel: Complete Chamber Music" album is number 4 out of 186. On top of that, Netherlands appears to be the country where this track was created. Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro) by George Frideric Handel, Celia Nicklin, Neil Black, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 8 in F major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 4 | 1B | 118 BPM | ||
Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca | Giovanni Battista Buonamente, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto In A Minor for Alto Recorder, Two Violins & Basso Continuo: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | A♭ Minor | 1 | 1A | 117 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 2. Siciliano | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | C Major | 1 | 8B | 141 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 4 | 9B | 91 BPM | ||
Concerto a due cori No. 1, HWV 332: 4. Largo | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 104 BPM | ||
Naïs - Loure | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A Major | 2 | 11B | 97 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 116 BPM |