"The Four Quarters: I. Nightfalls" by Thomas Adès, Calder Quartet was released on March 9, 2015. Since The Four Quarters: I. Nightfalls is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Twenty-Fifth Hour: The Chamber Music of Thomas Adès". In this album, this song's track order is #4. The Four Quarters: I. Nightfalls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Four Quarters: I. Nightfalls by Thomas Adès, Calder Quartet having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On an Overgrown Path, Series II: Andante | Leoš Janáček, Thomas Adès | E♭ Major | 0 | 5B | 114 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Winterreise, Op. 89, D. 911: No. 13, Die Post | Franz Schubert, Ian Bostridge, Thomas Adès | F Major | 1 | 7B | 74 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
Lontano | György Ligeti, North German Radio Philharmonic Orchestra, Günter Wand | D♭ Major | 0 | 3B | 79 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
5 Anniversaries: No. 5, For Susanna Kyle | Leonard Bernstein, Warren Lee | C Major | 0 | 8B | 98 BPM |