"Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto" by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan was released on October 1, 1985. Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto appears to be safe for all ages as it is not explicit. The song is number 1 out of 5 in Dvorák: Symphony No.9 , Op.95, B. 178 "From the New World" / Smetana: The Moldau by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto by Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Elektromagnetische Polka, Op. 110 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 90 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 1 | 8B | 104 BPM | ||
Symphony No.7 In E Major - Ed. Haas: 1. Allegro moderato | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 87 BPM |