"O felix anima" by Hildegard von Bingen, Augsburg Early Music Ensemble was released on January 1, 1990. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vocal Music - Hildegard Of Bingen / Abelard, P. (Hildegard Von Bingen and Her Time) (Ensemble Fur Fruhe Musik Augsburg) by Augsburg Early Music Ensemble. The song's track number on the album is #6 out of 14 tracks. The popularity of O felix anima is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O felix anima by Hildegard von Bingen, Augsburg Early Music Ensemble has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With O felix anima being at 170 テンポ, the half-time would be 85 テンポ with a double-time of 340 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Praise the Lord, Amen | Kiev Chamber Choir | F Major | 1 | 7B | 72 BPM | ||
Ave Maria | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | A♭ Minor | 1 | 1A | 78 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Dies irae - New Version | Schola Antiqua, Schola Gregoriana Hispana | E Major | 1 | 12B | 99 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Cum processit factura digiti Dei | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 76 BPM | ||
Miserere, Op.44: 9. Domine Deus noster - Poco più mosso, lento moderato, molto espressivo, molto appassionato | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 1 | 8B | 86 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM |