Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker's 'Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)' came out on March 11, 2013. With this song being about 5 minutes long, at 4:51, "Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)" by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 45 in Bizet: CARMEN (sung in German) by Georges Bizet, Christa Ludwig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen · Oper in 4 Akten (deutsch gesungen), Zweiter Akt: Nr.14 Euren Toast kann ich wohl erwidern (Torerolied: Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) by Georges Bizet, Rudolf Schock, Horst Stein, Berliner Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Swan Lake Suite, Op. 20: Scène | London Philharmonic Orchestra | E Minor | 3 | 9A | 77 BPM | ||
Carmen, Act II: No.15 Quintette : Nous avons en tête une affaire (Le Dancaïro/Frasquita/Mercédès/Le Remendado/Carmen) | Georges Bizet, Nicolas Rivenq, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM |