"12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace" by Franz Liszt, Claudio Arrau was released on January 1, 1977. The duration of 12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Claudio Arrau's "Liszt: 12 Etudes d'exécution transcendante" album is number 2 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, 12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes d'exécution transcendante, S.139: No.2 Molto vivace by Franz Liszt, Claudio Arrau to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Grandes Études de Paganini, S. 141: No. 3 in G-Sharp Minor "La Campanella" | Franz Liszt, Daniil Trifonov | A♭ Minor | 2 | 1A | 93 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |