"Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro" by Gabriel Fauré, François Salque, Eric Le Sage was released on April 1, 2013. With this song being about 5 minutes long, at 5:08, "Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro" by Gabriel Fauré, François Salque, Eric Le Sage is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 14 in Fauré: Intégrale de la Musique de Chambre avec Piano - 1: Œuvres pour violoncelle et piano by Gabriel Fauré, François Salque. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata No. 1 in D Minor, Op. 109: I. Allegro by Gabriel Fauré, François Salque, Eric Le Sage is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Cantique de Jean Racine, Op. 11 (Arr. Rutter) | Gabriel Fauré, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey, Rundfunkchor Berlin | D♭ Major | 2 | 3B | 86 BPM |