"Terminator Arrival / Reese Chased / Sarah on Motorbike" by Brad Fiedel was released on 1984. Since Terminator Arrival / Reese Chased / Sarah on Motorbike is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "The Terminator (Original Soundtrack Album)". In this album, this song's track order is #2. Terminator Arrival / Reese Chased / Sarah on Motorbike is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Terminator Arrival / Reese Chased / Sarah on Motorbike by Brad Fiedel having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malignant Opening | joseph bishara | B♭ Major | 2 | 6B | 53 BPM | ||
The Alley (War) | John Carpenter | A Minor | 7 | 8A | 127 BPM | ||
The Front Hall | Capcom Sound Team | F Major | 1 | 7B | 90 BPM | ||
Chapter Doof | Junkie XL | C Major | 9 | 8B | 90 BPM | ||
From Beneath | Blake Neely | B♭ Minor | 4 | 3A | 90 BPM | ||
Groceries | Paul Hertzog | G Major | 3 | 9B | 111 BPM | ||
Climax | Mark Korven | D♭ Major | 1 | 3B | 83 BPM | ||
the Conjuring | joseph bishara | D Major | 1 | 10B | 86 BPM | ||
Not Human | Marc Streitenfeld | A Minor | 3 | 8A | 65 BPM | ||
Elite Guard Attacks - Conan The Destroyer/Soundtrack Version | Basil Poledouris | B Minor | 5 | 10A | 75 BPM |