Brook Benton's 'Boy, I Wish I Was In Your Place' came out on 1965. The duration of Boy, I Wish I Was In Your Place is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Boy, I Wish I Was In Your Place's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Brook Benton's "Mother Nature, Father Time" album is number 7 out of 12. Boy, I Wish I Was In Your Place is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Boy, I Wish I Was In Your Place by Brook Benton to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mr. Music Man | Tommy Edwards | C Major | 4 | 8B | 81 BPM | ||
You Don't Know What You've Got (Alternate Take) | Ral Donner | E Major | 5 | 12B | 134 BPM | ||
Since I Fell for You | Lenny Welch | A♭ Major | 2 | 4B | 31 BPM | ||
Are You Really Mine | Jimmie Rodgers | F Minor | 2 | 4A | 102 BPM | ||
Raindrops | Dee Clark | G Major | 7 | 9B | 114 BPM | ||
Changing Partners | Kay Starr | F Major | 2 | 7B | 78 BPM | ||
All Night Blue | Dorothy Moore | A♭ Major | 3 | 4B | 171 BPM | ||
The Old Fashioned Way | Helen Reddy | G Minor | 5 | 6A | 143 BPM | ||
We're Old Enough to Cry | Ray Peterson | C Major | 3 | 8B | 84 BPM | ||
If She Should Come to You | Anthony Newley | D Major | 3 | 10B | 96 BPM |