Athens Byzantine Orchestra's 'Ioannis Koukouzelis (12th Century).Works from the Anixantaria in the Fourth Plagal Mode' came out on January 27, 2012. Since Ioannis Koukouzelis (12th Century).Works from the Anixantaria in the Fourth Plagal Mode is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The Greek Classics/Βyzantini Mousiki 12os-20os Aionas/The Best of Byzantine Music 12th-20th Century (Remastered)". In this album, this song's track order is #4. In terms of popularity, Ioannis Koukouzelis (12th Century).Works from the Anixantaria in the Fourth Plagal Mode is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ioannis Koukouzelis (12th Century).Works from the Anixantaria in the Fourth Plagal Mode by Athens Byzantine Orchestra having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sad Oud Crying | Yasser Farouk | C Minor | 2 | 5A | 67 BPM | ||
Nihâvend Taksîm (Maqâm Nevâ) | Ensemble Bîrûn, Kudsi Erguner | G Minor | 1 | 6A | 136 BPM | ||
Nihavend Longa | Haig Yazdjian | G Minor | 3 | 6A | 111 BPM | ||
Nihavend Peşrev | Petros “Petraki” Lampadarios, Ensemble Bîrûn, Kudsi Erguner | E Minor | 1 | 9A | 109 BPM | ||
Üsküdara Gideriken - Enstrümantal | Filiz Satık | B♭ Major | 9 | 6B | 114 BPM | ||
Beyati Saz Semaisi | DÜNYA | E Minor | 2 | 9A | 107 BPM | ||
Büyük Acılar 2 | Volkan Akmehmet, İnanç Şanver | D Major | 4 | 10B | 181 BPM | ||
Sadakat | Murat Dağlı, Rıfat Çalışkan | G Minor | 1 | 6A | 92 BPM | ||
Doxologia Se Iho Plagio Tou B' Mesazontos Se Iho Vari (16os - 17os Eonas) | Athens Byzantine Orchestra | G Major | 2 | 9B | 93 BPM | ||
Save Me - Nejatam Deh | Yaron Cherniak, The Singing Nightingale | C Major | 5 | 8B | 117 BPM |