Leonardo Vinci, Valer Sabadus, Il Pomo D'oro, Riccardo Minasi's 'Catone in Utica / Act 2: "So che godendo vai"' came out on May 23, 2015. With this song being about 5 minutes long, at 4:39, "Catone in Utica / Act 2: "So che godendo vai"" by Leonardo Vinci, Valer Sabadus, Il Pomo D'oro, Riccardo Minasi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vinci: Catone In Utica by Leonardo Vinci, Juan Sancho, Franco Fagioli, Max Emanuel Cenčić, Valer Sabadus, Martin Mitterrutzner, Vince Yi, Il Pomo D'oro, Riccardo Minasi. The song's track number on the album is #45 out of 61 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Catone in Utica / Act 2: "So che godendo vai"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Catone in Utica / Act 2: "So che godendo vai" by Leonardo Vinci, Valer Sabadus, Il Pomo D'oro, Riccardo Minasi has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Catone in Utica / Act 2: "So che godendo vai" being at 143 テンポ, the half-time would be 72 テンポ with a double-time of 286 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
La Terpsichore: VII. Langloise. Gigue (Gay) | Jean-Féry Rebel, Jordi Savall | D♭ Major | 3 | 3B | 109 BPM | ||
Stabat Mater in F Minor, RV 621: No. 6., Pro peccatis suæ gentis | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: V. Repas - VI. Repas alternativement | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 0 | 10A | 133 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Alla tromba della Fama | Baldassare Galuppi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 102 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |