"Holst: The Planets, Op. 32: I. Mars, the Bringer of War" by Gustav Holst, André Previn, London Symphony Orchestra was released on January 1, 1974. Since Holst: The Planets, Op. 32: I. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, André Previn, London Symphony Orchestra's "Holst: The Planets, Op. 32" album is number 1 out of 7. The popularity of Holst: The Planets, Op. 32: I. Mars, the Bringer of War is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holst: The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, André Previn, London Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 160 テンポ, a half-time of 80テンポ, and a double-time of 320 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hänsel und Gretel: Prelude "The Witch's Ride" | Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard | F Major | 2 | 7B | 85 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
The Planets, Op. 32: 6. Uranus, The Magician | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Minor | 1 | 6A | 105 BPM | ||
1812 Overture - Finale (V for Vendetta) | London Symphony Orchestra, George Richter | E♭ Major | 5 | 5B | 158 BPM | ||
Fantasia For Strings: 4. Allegro moderato - Meno mosso | Hans Werner Henze, Collegium Musicum Zürich, Paul Sacher | F Major | 4 | 7B | 147 BPM | ||
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 4 | 8B | 75 BPM | ||
Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM |