"Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879" by Daniel Barenboim was released on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879 is about 3 minutes long, at 3:24. Based on our data, "Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 68 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.10 in E minor BWV879 by Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 180 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Suite en Sol: Les Tricotets. Rondeau | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 1 | 9B | 70 BPM | ||
Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM | ||
Variatio 10. Fughetta. a 1 Clav. | Kimiko Ishizaka | G Major | 2 | 9B | 77 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
Suite in D Minor, HWV 437: II. Allemande | George Frideric Handel, Ragna Schirmer | F♯ Minor | 1 | 11A | 96 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 | Frédéric Chopin, Daniel Barenboim | D♭ Major | 0 | 3B | 142 BPM | ||
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 2 | 10A | 97 BPM |