"Evening songs: V. Z svých písní trůn ti udělám" by Bedřich Smetana, Vítězslav Hálek, Friedrich Rückert, Otakar Zich, Miroslav Kopp, Jiri Pokorny, Josef Veselka, Zdeněk Košler, Jiří Bělohlávek, Milan Malý, Václav Neumann, Václav Smetáček, Vladimír Válek, Karel Sejna, Prague Symphony Orchestra, Czech Philharmonic Orchestra, Dvořák Chamber Orchestra, Suk Trio was released on March 31, 2014. With Evening songs: V. Z svých písní trůn ti udělám being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 72 in the song's album "Smetana: Complete Works 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Czechia. Evening songs: V. Z svých písní trůn ti udělám is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Evening songs: V. Z svých písní trůn ti udělám by Bedřich Smetana, Vítězslav Hálek, Friedrich Rückert, Otakar Zich, Miroslav Kopp, Jiri Pokorny, Josef Veselka, Zdeněk Košler, Jiří Bělohlávek, Milan Malý, Václav Neumann, Václav Smetáček, Vladimír Válek, Karel Sejna, Prague Symphony Orchestra, Czech Philharmonic Orchestra, Dvořák Chamber Orchestra, Suk Trio having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
The Bartered Bride: ACT III, Principál, Esmeralda Milostné zvířátko | Bedřich Smetana, Jaroslav Březina, BBC Symphony Orchestra, Jiří Bělohlávek, Kateřina Kněžíková | D Major | 2 | 10B | 107 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Dalibor, JB 1:101, Act II, Scene 1: Dle této písně (Jitka, Vítek) | Bedřich Smetana, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav Krombholc | D Major | 2 | 10B | 114 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |