"Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)" by Pavel Chesnokov, The Sixteen, Harry Christophers had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen, Harry Christophers, Huw Williams, Charles Fullbrook's "IKON - Music for the Spirit & Soul" album is number 13 out of 17. Based on our statistics, Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blagoslovi, dushe moya, Ghospoda (Bless the Lord, O My Soul) by Pavel Chesnokov, The Sixteen, Harry Christophers to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arise Lord into Thy Rest | Dobrinka Tabakova, The Sixteen, Julie Cooper, Harry Christophers | C Major | 2 | 8B | 136 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Prologue | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | D Major | 1 | 10B | 105 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
Vesperae Solennes de Confessore: Laudate Dominum - Live | Wolfgang Amadeus Mozart, The Sixteen, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 112 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM |