Orchestre de Paris, Jean-Claude Hartemann, Geori Boue's 'La Périchole: "O mon cher amant, je te jure"' came out on January 30, 2012. The duration of La Périchole: "O mon cher amant, je te jure" is about 3 minutes long, at 3:02. Based on our data, "La Périchole: "O mon cher amant, je te jure"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #18. In terms of popularity, La Périchole: "O mon cher amant, je te jure" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Périchole: "O mon cher amant, je te jure" by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 2 | 10A | 121 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Core 'ngrato (Arr, Schifrin) - Live | Salvatore Cardillo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | E♭ Major | 2 | 5B | 76 BPM | ||
12 Études, Op. 10: No. 12 in C Minor "Revolutionary" | Frédéric Chopin, Maurizio Pollini | C Minor | 2 | 5A | 103 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 99 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |