Wilhelm Furtwängler's 'Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde)' came out on May 31, 2000. With Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Götterdämmerung by Wilhelm Furtwängler. The song's track number on the album is #5 out of 35 tracks. The popularity of Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) by Wilhelm Furtwängler has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Götterdämmerung, Prelude: V. "O heilige Götter!" (Brunnhilde) being at 163 テンポ, the half-time would be 82 テンポ with a double-time of 326 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
J.Brahms. Variations on a Theme by Joseph Haydn, Op.56a. 7 - Variation VI. Vivace | Wilhelm Furtwängler | B♭ Major | 2 | 6B | 171 BPM | ||
Sinfonia Domestica, Op. 53, TrV 209: Scherzo (Munter) - Live | Richard Strauss, Berliner Philharmoniker, Wilhelm Furtwängler | D Major | 3 | 10B | 85 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso V | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 4 | 5A | 126 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Le Villi: Act I - Evviva! Evviva! Evviva! | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | C Major | 1 | 8B | 181 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 2 | 6B | 107 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 2 | 6B | 107 BPM | ||
String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto (Scored for String Orchestra) | Franz Schubert, Charles Rosekrans, Royal Philharmonic Orchestra | F Major | 2 | 7B | 73 BPM | ||
交響曲 第35番 「ハフナー」 K.385~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 2 | 10B | 130 BPM |