"Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals)" by Camille Saint-Saëns, Ross Pople was released on February 22, 2019. The duration of Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals) is about 3 minutes long, at 3:10. Based on our data, "Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der Schwan aus Karneval der Tiere (The Swan from Carnival of the Animals) by Camille Saint-Saëns, Ross Pople is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
リート FWV 83 | César Franck, 佐藤晴真, 髙木竜馬 | A Major | 1 | 11B | 81 BPM | ||
I giorni: Andante | Ludovico Einaudi, NDR Radiophilharmonie, Johanna Röhrig, Rahel Senn, Michael England | D Major | 3 | 10B | 87 BPM | ||
Russische Fantasie No. 2 | Leo Portnoff, Monika Stauss Joensen, Birgitte Schnakenburg | D Minor | 2 | 7A | 132 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Lily of the Valley | Eusebius | F Major | 1 | 7B | 172 BPM | ||
Rota / Arr. Capelletti & Lenaerts: Romeo and Juliet: Love Theme | Nino Rota, Anneleen Lenaerts, Adrien Perruchon, Brussels Philharmonic | E♭ Major | 0 | 5B | 125 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Blow The Wind Southerly (Arr. Kanneh-Mason) | Traditional, Sheku Kanneh-Mason | C Major | 0 | 8B | 95 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Ombra mai fu (Handel's Largo) | George Frideric Handel, London Symphony Orchestra, Philip Gibson | E♭ Major | 1 | 5B | 95 BPM |