"Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts"" by Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown was released on January 1, 1982. The duration of Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #40. In terms of popularity, Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral Sentences for the death of Queen Mary II (1695): Anthem: "Thou Knowest Lord, the Secrets of Our Hearts" by Henry Purcell, The London Gabrieli Brass Ensemble, The London Gabrieli Chorus, Mark Brown having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Purcell: The Fairy Queen, Z. 629: Overture | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 162 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
The noise of foreign wars | Henry Purcell, Jeni Bern, Susan Bisatt, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | F♯ Major | 1 | 2B | 86 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM |