"Et voici qu’à la nuit tombée à Jérusalem" by Clotilde Mollet was released on February 5, 2015. The duration of Et voici qu’à la nuit tombée à Jérusalem is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Et voici qu’à la nuit tombée à Jérusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #13. In terms of popularity, Et voici qu’à la nuit tombée à Jérusalem is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Et voici qu’à la nuit tombée à Jérusalem by Clotilde Mollet having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Our es mayr im - Mother, where are you? | Sharakan Early Music Ensemble | E Minor | 1 | 9A | 84 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Stabat Mater, RV 621 for Alto Solo: No. 7, Eja mater | Antonio Vivaldi, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 6 | 12B | 98 BPM | ||
Flow, my tears | John Dowland, Andreas Martin, Andreas Scholl | F♯ Minor | 1 | 11A | 74 BPM | ||
Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions | Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento | A Major | 1 | 11B | 123 BPM | ||
Anonymous / Foggia: O quam clemens et pia, a 2 | Anonymus, Francesco Foggia, Philippe Jaroussky, Jean Tubéry | D Minor | 0 | 7A | 69 BPM | ||
Tonada: La Lata (A Voz y Bajo, Para Bailar Cantando) | Traditional, Jordi Savall | G Major | 3 | 9B | 79 BPM | ||
The silver swan | Orlando Gibbons, Tessa Bonner, The Rose Consort Of Viols | E Major | 0 | 12B | 44 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
A che più l'arco tendere | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 0 | 7B | 117 BPM |