Andrés Segovia, Fernando Sor, Eros Roselli's '24 Studies, Op. 35, "Exercises" (arr. A. Segovia for guitar): No. 17 in D Major' came out on February 1, 2014. With 24 Studies, Op. 35, "Exercises" (arr. A. Segovia for guitar): No. 17 in D Major being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Sor: Works for Guitar". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, 24 Studies, Op. 35, "Exercises" (arr. A. Segovia for guitar): No. 17 in D Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Studies, Op. 35, "Exercises" (arr. A. Segovia for guitar): No. 17 in D Major by Andrés Segovia, Fernando Sor, Eros Roselli having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From 5 Preludes: Prelude No.3 in A Minor | Andrés Segovia | E Minor | 1 | 9A | 87 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: VI. Gigue | Robert de Visée, Thibaut García | A Minor | 1 | 8A | 179 BPM | ||
Lieder ohne Worte (Songs without Words), Book 7, Op. 85: Song without Words, Op. 85, No. 2 | Felix Mendelssohn, Gerald Garcia | E Minor | 2 | 9A | 64 BPM | ||
El decameron negro: Balada de la doncella enamorada | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM | ||
La canço del lladre - Arr. Miguel Llobet | Catalonian Traditional Folk Song,, Göran Söllscher | D Major | 0 | 10B | 99 BPM | ||
Corrente (arr. for guitar) | Anonymous, Girolamo Frescobaldi, Andrés Segovia | A Minor | 1 | 8A | 134 BPM | ||
Waltz Opus 8 No. 3 | Berta Rojas | D Minor | 1 | 7A | 114 BPM | ||
Sonatina meridional: I. Campo | Manuel Ponce, Andrés Segovia | D Major | 2 | 10B | 135 BPM | ||
Fantasia, Op. 19 | Luigi Legnani, Pavel Steidl | E Major | 1 | 12B | 127 BPM |