On March 18, 2022, the song "12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro assai" was released by Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese. The duration of 12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro assai is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese's "Giuseppe Tartini: 6 Sonate Op. 3 & 1 Sonata per flauto traverso e cembalo" album is number 15 out of 18. On top of that, Italy appears to be the country where this track was created. Based on our statistics, 12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro assai's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 12 Trio Sonate, Op. 3: Sonata No. 3 in re maggiore: I. Allegro assai by Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Allegretto moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | G Major | 3 | 9B | 107 BPM | ||
Nocturne, Op. 19, No. 4 for Cello and Piano | Misha Quint, Svetlana Gorokhovich | D Minor | 1 | 7A | 78 BPM |