Anup Jalota, Ajanta Sarkar made "Ajab Sa Woh Chehra" available on April 26, 2024. Ajab Sa Woh Chehra is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. Because this song is the only song in Ajab Sa Woh Chehra and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ajab Sa Woh Chehra's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ajab Sa Woh Chehra by Anup Jalota, Ajanta Sarkar is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shadvaktram Shikhivahanam | Bangalore Sisters, Ajay Warriar, Vedabrahma Shri Ananthakrishna Bhatta | A Minor | 7 | 8A | 84 BPM | ||
Shantakaarma Chanting | Puneet Dixit | C Major | 6 | 8B | 114 BPM | ||
He Prabhu! Maara jagat ni vismruti karaavo .mp3 | SPARSH INTERNATIONAL, Shree Prem Acharyaji, Priyal Parikh, Urvi Shah, Kunal Doshi, Rachit Hemani | E Minor | 2 | 9A | 81 BPM | ||
Bhatku Kyun Main Bhala | Sanjay Mittal | D♭ Major | 5 | 3B | 98 BPM | ||
Hay-Hay Hayre | Anandilal Bhawel | D♭ Major | 3 | 3B | 160 BPM | ||
Maila Tan Hai Maila Man Mein Hai | Anup Jalota | A♭ Major | 7 | 4B | 96 BPM | ||
Aadathu Asangathu - Instrumental | Ramachandra Murthy | E Minor | 4 | 9A | 148 BPM | ||
Tryodas Adhayay | Poonam Sharma | D Minor | 8 | 7A | 127 BPM | ||
Bhakthichya Poti Bodh | Pramod Medhi | A♭ Major | 5 | 4B | 132 BPM | ||
Vasavi | Bangalore Sisters | A Minor | 7 | 8A | 84 BPM |