"Colas Breugnon, Op. 24: II. The People's Feast" by Dmitry Kabalevsky, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens was released on August 3, 2018. With this song being about 5 minutes long, at 5:05, "Colas Breugnon, Op. 24: II. The People's Feast" by Dmitry Kabalevsky, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dmitry Kabalevsky, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens's "Kabalevsky: Pathétique Overture, Violin Concerto, Vesna & Colas Breugnon" album is number 8 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Colas Breugnon, Op. 24: II. The People's Feast is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Colas Breugnon, Op. 24: II. The People's Feast by Dmitry Kabalevsky, Staatsphilharmonie Rheinland-Pfalz, Karl-Heinz Steffens to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Fantasie in C, Op. 17: 3. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | Robert Schumann, Daniel Barenboim | B Major | 0 | 1B | 83 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 1. Presto | Franz Joseph Haydn, Alfred Brendel | E Minor | 2 | 9A | 140 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 79 BPM | ||
Variations for Piano in D Major, Op. 40: No. 1 | Dmitry Kabalevsky, Kirsten Johnson | D Major | 1 | 10B | 73 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro aperto | Wolfgang Amadeus Mozart, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | A Major | 1 | 11B | 126 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM |